Anthonis Mor(c. 1517 - 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis, or Mor van Dashorst, Antonio Moro, Anthony More, etc., but signed most of his portraits as, Anthonis Mor. Mor was born in Utrecht, Netherlands by some estimation between 1516 and 1520. What is known of his early life is that his artistic education commenced under Jan van Scorel. His earliest work is probably a portrait at Stockholm, dated 1538. A group of Knights of St. John, at Utrecht, supposed to have been painted about 1541; a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; together with the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works although their authenticity has not been proved. In 1547, he was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527-1598) traveled around the Netherlands to present himself as the future ruler. Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known) where he copied some works by Titian, notably the Danaë. | |||
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Portrait of Anne Fernely ID de tableau:: 87364 Voir la galerie dans Suède |
Portrait of Anne Fernely Date between 1560(1560) and 1565(1565) Medium Oil on panel transferred to canvas Dimensions Height: 88 cm (34.6 in). Width: 76 cm (29.9 in). cjr Date_between_1560(1560)_and_1565(1565) _ Medium_Oil_on_panel_transferred_to_canvas _ Dimensions_Height:_88_cm_(34.6_in)._Width:_76_cm_(29.9_in). _ cjr |
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Portrait of Hubert Goltzius ID de tableau:: 89147 Voir la galerie dans Suède |
Portrait of Hubert Goltzius 1574(1574) Medium Oil on wood cyf 1574(1574) _ Medium_Oil_on_wood _ cyf |
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Portrait of a Gentleman ID de tableau:: 90804 Voir la galerie dans Suède |
Portrait of a Gentleman oil on panel, 68 x 53 cm (26.8 x 20.9 in). Date 1560(1560) cyf oil_on_panel,_68_x_53_cm_(26.8_x_20.9_in)._ Date_1560(1560) _ cyf |
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Portrait of Anne Fernely ID de tableau:: 92186 Voir la galerie dans Suède |
Portrait of Anne Fernely between 1560(1560) and 1565(1565) Medium Oil on panel transferred to canvas cyf between_1560(1560)_and_1565(1565) _ Medium_Oil_on_panel_transferred_to_canvas _ cyf |
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| (c. 1517 - 1577) was a Netherlandish portrait painter, much in demand by the courts of Europe. He has also been referred to as Antoon, Anthonius, Anthonis, or Mor van Dashorst, Antonio Moro, Anthony More, etc., but signed most of his portraits as, Anthonis Mor. Mor was born in Utrecht, Netherlands by some estimation between 1516 and 1520. What is known of his early life is that his artistic education commenced under Jan van Scorel. His earliest work is probably a portrait at Stockholm, dated 1538. A group of Knights of St. John, at Utrecht, supposed to have been painted about 1541; a picture of two pilgrims at the Gemäldegalerie, Berlin, dated 1544; together with the portrait of an unknown woman, in the Lille gallery, were probably among his earliest works although their authenticity has not been proved. In 1547, he was received as a member of the Venerable Guild of St. Luke at Antwerp, and shortly afterwards (about 1548) he attracted the attention of Cardinal Granvelle, Bishop of Arras, who became his steady patron. Of the portraits executed during the early period of his career as Granvelle's protege, two are especially notable: one of the bishop himself (in the imperial gallery in Vienna), and one of the Duke of Alba, which now belongs to the Hispanic Society of New York. Between 1549 and 1550 Prince Philip II of Spain (1527-1598) traveled around the Netherlands to present himself as the future ruler. Mor painted his portrait in Brussels in 1549. He probably visited Italy (when exactly is not known) where he copied some works by Titian, notably the Danaë. | ||||||||||
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